Your world.
Explore three design concepts before you commit to the website build.
Give fans a place to hear your music and find shows, and give promoters the details they need to book you. We design websites for musicians that make key information easy to find and the next step clear. Start with 3 free design concepts before you commit to development.

Explore three design concepts before you commit to the website build.
No deposit or signed contract is needed to see your design concepts.
Choose a direction or walk away. There is no obligation to continue.
SEO/SEM EXPERIENCE. GETTING TO KNOW YOUR MUSIC.
I bring over 17 years of SEO and SEM experience, including work with more than 200 clients across Poland and Europe. I apply that experience to website planning: helping people find the site, understand what you offer, and take the next step. The brands and figures shown refer to my SEO and SEM work.
We talk about your work, composition and working process. We determine whether the most important thing is the premiere, the tour, recording sessions or inquiries about the setting of the events. We select recordings that reflect the sound and information needed before contact. From these arrangements, the layout, content and features of the website are created.

6 EXAMPLES OF MAJORS FOR MUSICIANS






YOUR DESIGN. YOUR AUDIENCE.
A solo artist promoting an album, a band booking shows, and a session musician need different content. We plan around your actual work. You don’t need a long discography to get started.
We will highlight the latest release, selected recordings and a short biography. The listener will go to the music, and the editors will go to the press materials. For several artistic projects, we will determine how to present them without mixing names and repertoire.
We will show the line-up, live sound, releases and performance dates. The organizer will find a booking contact and agreed materials, e.g. a technical rider. We will choose the calendar depending on who updates the route and how often.
When setting up weddings, events or session work, we will present the repertoire, performance format and actual travel distance. The recordings will help you assess the style, and the inquiry will collect the date, place and nature of the commission. We will add the scope of lessons if you run them.
FROM LISTENING TO CONTACT
An example route of the organizer: home page → live recording → performance offer → contact. A fan can go straight to the new single or tour dates. We will select sections and pages to suit the materials and goals of your project.
Selected songs, clips and concert recordings will show what you sound like. The discography can be organized by albums and singles, with covers and listening links. A short catalog may fit on one page.
Dates, cities, venues and ticket links will be useful to fans. We will describe the performance formats, lineup and repertoire to the organizers. The event offer may have a separate page if it differs from the concert program.
A short biography, promotional photos and media contact may form an electronic press kit, or EPK. We will select files to download and add signatures of the photo authors. We will make the Rider available according to your decision.
We will separate contacts for concerts, media and other requests if different people handle them. The form or email will appear next to the appropriate offer. Links to social profiles will complement the presentation at your address.
WHAT'S INCLUDED
We will agree on the design, pages and features that will help present your music. The scope will determine the preparation of copy, the use of recordings, the update process and the costs of additional tools.
The photos, covers, logos and typography are intended to create a coherent presentation of the artist. Three free concepts will help you choose your direction before paid website development. We do not impose one style on all genres.
We check the layout, menus, buttons and keyboard operation. Listening, concert dates and contact details should be easy to find also on a small screen. We will choose the method of video presentation according to the materials.
We will organize the biography, descriptions of publications and what you offer of performances. The number of pages and editorial assistance are part of the quote. You approve information about the composition, achievements and project terms.
We plan logical addresses, titles, headers and linking. We write the stage name and offer descriptions consistently. Ongoing SEO, publications and campaigns require separate scope; the site does not guarantee results.
We can schedule Spotify, YouTube, SoundCloud or Bandcamp links or embeds. We select the newsletter, store and calendar integration after checking the needs and capabilities of the supplier. We discuss tool fees separately.
Before starting, we check the content, links to recordings and contact paths. After approval, we launch the website, provide your login details and discuss the editing of concerts, premieres and press materials.
A CLEAR NEXT STEP FOR EVERY VISITOR
Various intentions come together on the musician's page. The fan is looking for music and tickets, and the organizer wants to evaluate the performance and talk about the conditions. We will plan clear transitions to the appropriate information.
We will highlight representative footage and links to the platforms you use. The user will start the music himself. We will determine the number of players and the loading method so that the multimedia does not impede browsing the website.
The date, location, type of event and expected performance format help in the first response. We will agree on the form fields and the person receiving the inquiry. Sending a message does not constitute confirmation of the reservation.
The performance list may lead to sales to the organizer or ticket operator. We will determine how to add and remove dates. Connection to an external calendar or sales on the website require separate consideration.
The journalist will find a biography, photos and the correct contact address. We can prepare a separate track for recording sessions or lessons. A newsletter is an option if you have a communication plan and tool selected.
MATERIALS THAT SHOW CREATIVITY
We will base the website on your recordings and information. We help organize them into a presentation for listeners, media and organizers. We will determine the editing access before development begins; you don't need a ready-made biography to start a conversation.
Prepare links to songs, music videos or live recordings. Together we will choose materials that reflect the current sound. We will determine what we embed and what opens on an external website. There is no need to show the entire archive.
Promotional photos, logos, covers and a short description of the project will be useful. We will use materials that you can publish, with the necessary author attributions. We'll add real reviews and achievements if you share them.
Describe the program, composition, approximate length of the performance and service area. When setting up events, we will explain what you arrange individually. Technical and rider information should correspond to the current capabilities of the team.
We will determine who adds concerts, releases and new photos. A news or blog makes sense if you keep it. Press materials also need to be updated after changing the line-up, program or booking contact.
SEE THE DESIGNS. THEN DECIDE.
Compare three concepts for the appearance and page layout of your music project. You will see different ways of presenting recordings, concerts and contact. This stage is free of charge, without a contract or deposit.
Tell us what you are playing, who you want to reach and what the purpose of the website is. You can add a link to recordings or your current website. The proposals will help you choose a direction before ordering the work.
The free concepts show possible designs and layouts. Building and launching your website is a separate, paid stage that begins only after you approve the scope and price.
WEBSITE - PRICE AND SCOPE
The price depends on the design, number of pages, content, multimedia and content editing tools. After the conversation, you will receive a custom quote. The scenarios below show the differences in scope; they are not ready-made price packages.
For the artist or small project who needs one place for the most important materials and contacts.
For a project with publications, concerts and materials for organizers and media.
For an artist needing several languages, a newsletter, product sales or agreed integrations.
The website build and ongoing maintenance are priced separately. Your quote covers the pages, content, features, timeline, and revisions. Domain registration, hosting, renewals, and licenses have separate costs. Newsletter, store, or ticketing tools may charge their own fees. Website support, future releases, and marketing are scoped separately. Your first 3 design concepts are free.
FOUR STAGES. CLEAR ARRANGEMENTS.
We establish the purpose, materials and dates important for your project. The schedule depends on the scope and time for approval. If you are planning a premiere or tour, specify the date during the first conversation.
We discuss work, audiences, performance offerings and current profiles. We determine what materials you already have and what should lead to listening, tickets and contact. We select the sections and features we need.
We show three free directions for appearance and layout. You compare the presentation of a music project and provide comments. You decide whether you want to order paid website development.
We confirm the price, scope, deadline and revisions. We develop the selected project, implement materials and agreed features. You approve the biography, concert descriptions and contact details.
We verify mobile layouts, recordings, links and the path to the query. After approval, we launch the website and provide your login details. We discuss concert editing, renewals and further service.
ANOTHER PREMIERE. FURTHER POSSIBILITIES.
A new album, tour or line-up change should be reflected on the website. We will plan updates and space for further materials. We agree on additional features and marketing activities as needed.
A consistent artist name, description of work and clear links help organize your online presence. We can discuss the SEO or campaign around the launch separately. The creation of the website does not guarantee listens, sales or invitations to concerts.
We will check existing addresses, issue archives and necessary redirects. We will review the domain settings, booking email and important links from social profiles. We plan the migration before switching the page.
We will choose the method of adding concerts and premieres. You can arrange managing content yourself, order individual changes or arrange supervision. We will discuss maintenance costs and responsibility for current dates and links before the start.
REVIEWS
Feedback on the ideas, communication, and details that make a difference.
Łukasz really understood my business. The website feels clean and elegant, and it highlights what matters most.

DIRECT COLLABORATION
Website design backed by SEO and SEM experience.
I’m Łukasz Zaborski. I bring over 17 years of SEO and SEM experience, including projects for more than 200 clients across Poland and Europe, to each website I create. I consider how people find your business, compare services, and decide to get in touch.
At zaborski-pro.com, you work directly with me. I'm based in Poland and work remotely with U.S. businesses. Tell me about your services, current website, and goals. We'll agree on a scope that fits your business and coordinate communication around your time zone.
Tell me about your musicYOUR BUSINESS. YOUR INDUSTRY.
Choose your industry. Explore website ideas, features, and answers to common questions.
QUESTIONS BEFORE YOU START
Answers about costs, recordings, concerts and editing.
Yes. Your three initial design and layout concepts are free, with no deposit, contract, or obligation to continue. A brief description of your business and goals is enough to start. Building and launching the website is a separate, paid stage that begins only after you approve the scope and price.
Your quote is tailored to the project. Pages, design, copy editing, number of materials, editing and additional features are important. A website with a discography and a store has a different scope than a simple one-page website. We discuss the costs of domain, hosting and tools separately.
Provide the planned date upon initial contact. We will confirm the date after knowing the scope, availability of recordings, photos and time for approval. If there are a lot of materials, we can discuss the start with the most important sections and separately priced further development.
The name of the project, a description of the work, links to the recordings, photos, logo or covers and contact details will be useful. For performances, it is worth adding the line-up, repertoire and range. You don't need a complete brief. We select materials intended for publication; Don't send unreleased files just to order concepts.
We can include links or available embeddings. The selection depends on your profiles, materials and the capabilities of a given website. We will determine how to load players and videos. The website organizes access to creativity; the distribution of recordings to platforms does not result from the website itself.
Can collect music, concerts, biography and contact in one address. Your own layout allows you to guide the fan and the organizer separately. Social profiles can still be used for ongoing communication; we select the most important content on the website and link to the channels you run.
We can plan a short biography, promotional photos with captions, selected recordings, logo and contact details. We will add a technical rider if you want to share it. The scope of the package depends on your project. You provide and approve current information and materials intended for publication.
Yes, after agreeing on the fields. For the first message, the date, place, nature of the event and the format of the performance are usually useful. The inquiry goes to an agreed person. The form itself does not reserve a date or confirm the conditions of the concert; You arrange these with the organizer.
The editing access will be determined when selecting the solution. We can schedule updates to dates, links, biographies and discography and discuss handling before handover. The alternatives are individual updates or a separate support plan. It is worth appointing a person responsible for keeping the calendar up to date.
We can plan a transition to the current sale or separately agree on a store on the website. Payments, digital files, physical products and tickets require different solutions. Before the quote, we discuss the catalog, order processing, payment provider and tool fees. The store is not automatically part of the basic website.
Scope may include structure, titles, headings and linking. During the reconstruction, we will check the old addresses and how the domain and email are preserved. Ongoing SEO, hosting, renewals and follow-up are separate arrangements. The start of the website does not guarantee rankings or number of inquiries.
Let’s talk about a website for your music.
Get 3 Free DesignsLET'S TALK
Write what you play and what your new website will facilitate: presentation of your work, booking contact or information about concerts. We will prepare three free concepts to help you choose your direction.
Provide the name of the project, link to the recordings or current website. Specify whether you need a discography, calendar, press materials or performance offer. A short description is enough - you don't need to know the technical names or have a detailed brief.

Łukasz ZaborskiYou'll work directly with me.